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GREG COOK

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Review: AS220's Sustainable Visions for a Living Planet

Printmakers consider sustainability
Sustainable living has, of course, long been a concern, but worries about global warming have pushed it to the forefront. And increasingly made it the subject of art.
By: GREG COOK  |  November 25, 2008

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Harry Callahan's Eleanor photos

Harry Callahan’s photos of Eleanor at RISD
"I think I've photographed the same things all my life," Harry Callahan said in 1991. "Buildings and grasses and people walking." And, for a stretch running from about 1941 to 1963, that included his wife, Eleanor.
By: GREG COOK  |  November 19, 2008

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Explicit, raw images of Black Goat

Entang Wiharso and Chris Forgues's harrowing visions
Wiharso, who lives in North Kingstown, fills 5 Traverse with a harrowing dance of demons in black silhouettes and ruddy flesh (well, charcoal, acrylic, enamel, and spray paint).
By: GREG COOK  |  November 12, 2008

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Works from Karsh, Christenberry, and at the PRC

Photos from Yousuf Karsh, William Christenberry, and the PRC
In "Karsh 100: A Biography in Images," which is now up at the Museum of Fine Arts, his iconic shots of Winston Churchill, George Bernard Shaw, and Ernest Hemingway are defining portraits of the men in all their crusty manliness.
By: GREG COOK  |  November 14, 2008

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The other stuff

Machines with Magnets’ Museum of Small Finds
The apparent inspiration for the Museum of Small Finds at Machines with Magnets is a Renaissance cabinet of wonders
By: GREG COOK  |  October 22, 2008

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Peter the gadfly

Bread and Puppet Theater founder Peter Schumann is a national treasure. Maybe that’s why George W. Bush wants to bury him.
Bread and Puppet Theater is the landmark political troupe that has been pricking US presidents and policies with a unique brand of street theater since JFK was in office.  
By: GREG COOK  |  October 16, 2008

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Back to the barricades

Can reenacting Vietnam-era protests help us rethink Iraq?
In the fall of 2005, when the artist and curator Mark Tribe began teaching at Brown University, he was struck by how little protest there was on campus at a time of war.  
By: GREG COOK  |  October 22, 2008

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Chihuly lite

RISD’s sprawling exhibit could use more ‘wow’
The main problem with “Chihuly At RISD,” on view at the RISD Museum’s new Chace Center (through January 4), is that there’s not enough Dale Chihuly here.  
By: GREG COOK  |  October 16, 2008

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Bicyclists to spell support for Obama

Election cycle
There are the usual ways of spelling out your support for a candidate, and then there’s this weekend’s “Bike Write for Obama.”  
By: GREG COOK  |  October 09, 2008

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Funhouse

“New Obstructions” at AS220; “Trash” at 5 Traverse
AS220’s exhibit “New Obstructions” is one of those right-on ideas that seem to come so naturally to the institution.  
By: GREG COOK  |  October 09, 2008

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RISD redefined

With the dramatic new Chace Center, the art school reaches outward
Rhode Island School of Design’s new Chace Center is the physical embodiment of the 131-year-old institution’s effort to rebrand itself as a more open place.
By: GREG COOK  |  September 25, 2008

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Big Red

Brown offers a mirror-view of the 20th century
“Views and Re-Views: Soviet Political Posters and Cartoons” is one of the best exhibits you’ll see in New England this year.
By: GREG COOK  |  September 17, 2008

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Autumn views

New spaces and fresh faces
The big news of Providence’s fall arts season is the completion of the RISD Museum’s Chace Center, which offers new exhibition, educa-tion, retail, and administrative space.
By: GREG COOK  |  September 10, 2008

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A joyful mess

‘Dead and Gong’ at Stairwell; plus, summer at Lenore Gray
“Dead and Gong,” on view at Stairwell Gallery is a hodgepodge installation that feels a bit like a teen’s bedroom, the treasure horde of a Latin American crypt, and a squatter’s camp in the woods.
By: GREG COOK  |  August 20, 2008

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Off the cuff

ProvFlux’s spontaneous confluence
Feeling lucky? It’s a question to ask yourself when you consider attending the fifth annual ProvFlux art festival.
By: GREG COOK  |  August 05, 2008

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Affirmative action

YES Gallery’s ‘Lovesick/Seasick’
YES Gallery is located in a gorgeous green wood-frame 1883 building on a quaint strip of boutiques and restaurants that runs parallel to the Warren River.
By: GREG COOK  |  July 23, 2008

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Road work

Eric Irving’s iconic ‘Mono*liths,’ and more
Urban construction and demolition have become some of the primary themes of Providence art over the past decade or so.
By: GREG COOK  |  July 09, 2008

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Mixed mediums

‘Jackals and Jerks,’ ‘Domain Error,’ and ‘Protest’
A current running under “Jackals and Jerks,” a group show at Stairwell Gallery, is the thrills and worries of today’s technological, synthetic, bioengineered SimCity world.
By: GREG COOK  |  June 24, 2008

New galleries sprout on Federal Hill

Citywatch
A mini gallery district is sprouting on Providence’s Federal Hill, with three galleries moving onto Atwells Avenue, all within a few blocks of Gallery Z, which has been there since 2004.
By: GREG COOK  |  June 18, 2008

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Great pretenders

Photographic self-examination at the Bell Gallery
“Self and Others,” the new group show at Brown University’s Bell Gallery, reminds  me of a definition I recently read: growing up is learning how to pretend to be normal.
By: GREG COOK  |  June 10, 2008
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