It's easy for Portland to get behind an act as well-put-together as Lady Lamb the Beekeeper.
Aly Spaltro takes to a new level a likeable Maurice Sendak aesthetic somewhat common to "indie-rocker scene" — suspenders, knickers, face-paint whiskers, and a quasi-shy attitude. But musically it is as if she seeks to contradict this childish image with insightful songs that share a world vision with the likes of Kimya Dawson. From a narrative standpoint, she seems to encapsulate something nostalgic about young love; she forces us to miss our summer-love melodramas of yesteryear. We — the audience — are easily sold on this mix of visions from our childhood storybooks and remembrances of love when it actually hurt.
It's a simple arrangement. You have the small-framed, cute-faced girl on guitar and vocals, and an eyes-closed, tossed-hair chap keeping the beat on an undersized drum kit. While watching, it's hard to comprehend that so much cuteness has been fit into such a small space. But cuteness and witty lyrics can only go so far. I was left wanting a little more from the set. Surely there is talent there to be expanded upon. Simplicity in the indie-rock genre always risks becoming passé. I think for us all to grow with Lady Lamb, the act will have to eventually move on from that whole beauty-in-simplicity angle and try out bigger and more daring ideas.
myspace.com/LadyLambTheBeekeeper
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What are the odds?, Portland Music News: June 26, 2009, Ain't life Grand, More 
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Ten years! When we organized our first Best Music Poll, way back in the day, we could only hope that it would one day wind up the institution it is today, with the annual Portland Music Awards ceremony drawing the best collection of musical talent Maine can produce.
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My first car was a big green Buick LeSabre, and my only options then for music were Extendo-Ride, who were awesome, and a mix tape my older sister had made, full of Wilco songs off Yankee Hotel Foxtrot.
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