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Pump up the Volume

A Twisted Roots retrospective (with five new songs)
By SAM PFEIFLE  |  October 16, 2008

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Nowadays, it’s hard to remember that Twisted Roots ever broke up in the first place. Or that they’d been playing for a decade before the break-up even happened. With 2004’s self-released The Seed, last year’s Rat Pak record 12 Skies, Fire and the Black, and a steady stream of shows throughout the state, TFR (the “F” stands for “fucking,” but you knew that) have reestablished themselves at the head of Maine’s heavy music scene.

You know, the scene that seems to produce more show attendees and record buyers than any other in the state?

It bears remembering that just about now Twisted Roots are celebrating 20 years as a band, and their label commemorates the fact with Volume 1, a collection of 16 songs that are variously from their two Cherrydisc albums, Turn to Stone and Communication, and their last disc before the break-up, Body in the Trunk, Brick on the Gas, plus an unreleased live take, two brand-new songs recorded with Jon Wyman, some remixes, and three unreleased recordings from the somewhat distant past.

Don’t overthink it. Unless you’re a serious local-music collector, you have basically none of this material. Body in the Trunk is widely held, yes, so maybe you’ve got five of these songs, but both Communication and Stone have been out of print for more than a decade, and were available for sale before even an old man like me was out of college.

So, experience it all again for the first time. The mastering is such that you’d never know the difference from a tune recorded in 1992 and 2008, and the material holds up remarkably well. Twisted Roots’ brand of melodic heavy rock has never really lost its fanbase, moving from the grunge era to alternative-rock radio to the sort of metal we hear today played by Dead Season, Loki, Civil Disturbance, and any number of other bands that combine driving, distorted guitars; an active, down-tuned bass; floor-tom- and cymbal-heavy drums; and soaring melodic vocals.

“Tracks” is one of the tunes that got the band noticed, with what became a trademarked vocal-oriented open, with just an acoustic-guitar backing: “She wept/And the sound of seven guns drummed in her head.” Back when Stone came out, Neil Collins was playing bass, before he went on to play with Lincolnville and Eldemur Krimm. His playing drives this track, pushing forward what is a great radio-friendly sing-along.

The brand-new “Counter on the Hill” — with the current line-up of frontman Pete Giordano, lead guitarist Adam Powers, drummer Sonny Robinson, and bassist Mark Lennon — is a two-minute “Tracks” homage. The opening vocals are a little more naked, and there’s a nod to a lower-fi aesthetic, but “I heard about the gun you held.”

But it doesn’t really matter which songs were recorded when, since much of the band’s new audience didn’t even have access to Twisted Roots when the songs were first released. As in: the Internet and the MP3 weren’t invented yet (that’s an exaggeration, but only just). Nowadays, the appetite for American heavy rock in Germany, Russia, Scandinavia, and elsewhere can’t be overstated. And Internet radio stations are happy to sate their appetites with heavy riffage from the Roots.

The manic, huge sound of Trunk’s “Voices,” with a thunderous pounding following the first chorus, is every bit as attractive as the heart-racing drum push that drives 2008’s “Hollow Earth.” And the rock-ballad style of 1996’s “Seven Days,” with its pretty little guitar opening and its moody organ, never goes out of style.

Of course, local archivists will be pleased with a couple of gems here, too. “Waking Up,” a furious live recording with a cycling breakdown after the first chorus that leads into an epic guitar solo, seems to be an unreleased bit from the same State Theatre (it hurts just to type that) show that produced 1994’s live album, Bad Blood/Blown Motor. “Blackbirds” offers a relatively rare extended acoustic piece, with a spacey effect to accompany some psychedelic lyrics: “Apple pie filled with black birds/What do they symbolize?”

What do they symbolize? I’m going to go with: the festering and continuing decay of the American dream. See, I told you some things never go out of style.

Sam Pfeifle can be reached at sam_pfeifle@yahoo.com.

VOLUME 1 | Released by Twisted Roots | at the Big Easy, in Portland | with Ricky Boy Floyd’s stand-up comedy + Pulse 8 | October 17 | www.myspace.com/twistedrootsonline

Related: Action Jackson, Review: Dollhouse, Strangeways, here we come, More more >
  Topics: Music Features , Jon Wyman, Mark Lennon, Neil Collins,  More more >
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