The Phoenix Network:
About  |  Advertise
Books  |  Dance  |  Museum And Gallery  |  Theater

“Nostalgia Machines” at Brown’s Bell Gallery

Reconsidering the future
By GREG COOK  |  November 21, 2011

RECYCLING Schipper’s Measuring Angst (detail).

Jonathan Schipper's Measuring Angst (2009) might be a complicated machine built to help you ponder whether your life would be better if you could take back the stupid thing you did last night.

The device is a curved armature holding together a shattered Corona bottle. The contraption dangles from wires beneath two metal tracks on the ceiling of Brown University's Bell Gallery in the exhibit "Nostalgia Machines" (64 College Street, Providence, through February 19). It slowly spins end over end as it glides toward the wall.

About a foot from the wall, the machine pauses. Metal arms break apart the bottle and slowly rotate the individual pieces. Then it brings them back together, as if making the bottle whole again, and spins back away from the wall to begin the cycle again. The effect is entrancing, like The Matrix "bullet time" slow-motion if the movie special effect was transformed into bunraku puppetry by robots.

The effect of the slowed-down, repeated action is like a memory that keeps replaying in our minds. Note the language: replaying. It's the language of video used as a metaphor for how our minds work. Curator Maya Allison's premise in "Nostalgia Machines" is that machines, which often seem focused on the future, can also tap their capacity for storing memory to help us remember and reconsider the past.

Measuring Angst is an elaborate contraption for imaging hurling a bottle at a wall and watching it shatter. And then realizing it was a mistake and wishing you could take it back. Or maybe Measuring Angst is a device for imaging how different your life would be if only you'd thrown that bottle. Or maybe, if we take a philosophical step back, it's built for contemplating the consequences of anything we do or don't, and whether it can be reversed.

ABSTRACT MEMORIES Pingree’s Umbrella Torque.
The other artworks in "Nostalgia Machines" don't achieve this level of psychological charge or intriguing motion. How memories might be suspect is a theme of Jasper Rigole's Outnumbered (2009), a brief history of imposture. A crisp narrator describes various frauds and impostors as the screen pans to photos of various boys. The narrator seems to identify the boys as the perpetrators, but they're actually random heads a camera hidden around the corner is finding in a large, antique, school photo mounted on the wall.

Zimoun's 150 prepared dc-motors, filler wire 1.0mm (2009/2010) offers 150 small round motors mounted in a line along the wall and each dangling a metal wire tail. When turned on, the wires make a rhythmic clanging that might bring to mind rain or might just sound irritating. Gregory Witt's Packing Tape (2010) sits on the floor waving a computer speaker in sync with sound of packing tape being pulled off a roll. The robot pantomime had a charming doggieness about it. The sound is apparently meant to call up memories of moving, but it reminded me of shipping work I used to do. Like Schipper's bottle contraption, how much we get out of it depends on how much the analogies the art tries to make connect with us.

1  |  2  |   next >
Related: Treasure trove, Brown's 'Faculty Triennial 2010', Brown’s “Building Expectation” showcases architectural visions, More more >
  Topics: Museum And Gallery , Museums, Brown University, Brown University,  More more >
| More

 Friends' Activity   Popular   Most Viewed 
[ 12/14 ]   Ximena Sarinana + Graffiti 6  @ T.T. the Bear's Place
[ 12/14 ]   La Cage aux Folles  @ Shubert Theatre
[ 12/14 ]   "Hungry For Death: Destroy All Monsters"  @ Boston University Art Gallery
Share this entry with Delicious
    A fact underlying the exhibit "Curiouser," in the lobby of the Providence Museum of Natural History (Roger Williams Park, 1000 Elmwood Avenue, Providence, through September 2012), is that less than two percent of the institution's collection of 250,000 preserved birds, insects, mammals, rocks, fossils, and Native American baskets is on view at any time.
  •   ‘NETWORKS 2011’ IS GOOD — BUT IT COULD BE BETTER  |  December 07, 2011
    In 2008, local art collector Joseph Chazan partnered with the Newport Art Museum and AS220 to present the first "NetWorks" project.
  •   MARK COOPER AND JOE ZANE  |  December 06, 2011
    "More Is More" is the oh-so-accurate title of Somerville artist Mark Cooper's overflowing cornucopia of an installation at Samson.
    Brian Chippendale and Jungil Hong were at the center of the gang of artists who pioneered the rascally psychedelic art that boiled out of Providence's screenprinting/postering/comic book/puppet show/wrestlemania/noise rock underground in the late 1990s and early 2000s.
    Laurel Nakadate has danced to Britney Spears with lonely strangers and traveled the country photographing herself in fake pin-ups.

 See all articles by: GREG COOK

RSS Feed of for the most popular articles
 Most Viewed   Most Emailed