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Welcome to the gayborhood.
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Lars von Trier’s controversial freak-out is Saw VI as told by Carl Dreyer. Is that a good thing? It certainly has grabbed everybody’s attention. I’m torn between dismissing the film as gross-out juvenilia and regarding it as raw religious mythmaking.
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"World Passions," the collection of four works that Boston Ballet opened at the Opera House last night, was more pleasant than passionate until Kathleen Breen Combes sashayed out as the title character in Jorma Elo's Carmen .
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When I was growing up in Roslindale a few decades back — among tribes of ignorant, second-generation immigrant kids whose favorite words began with “f” and “n” and who liked to torture small animals and beat up small children before they moved on to their future vocations as petty criminals, dead dope users, or real-estate agents.
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The Rhode Island Tea Party, local wing of the national uprising against all things Obama, has some reason for hope.
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Welcome to the gayborhood.
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Barrington, not exactly known for its welcome mat to working poor families, now has its first affordable housing project in living memory.
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Maybe it’s the blurring effect of the Skype technology through which I’m interviewing him as he sits worried and Buddha-like in his headquarters in Denmark (he has a phobia about airplanes, among other things), but Lars von Trier seems like an okay guy.
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The hallowed formula for an Oscar Best Picture nomination — legendary figure, pat rise and fall scenario, overproduced visuals and music, a showboating performance from a name actor, reassuring platitudes — falls flat in what is Mira Nair’s worst picture.
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Lars von Trier’s controversial freak-out is Saw VI as told by Carl Dreyer. Is that a good thing? It certainly has grabbed everybody’s attention. I’m torn between dismissing the film as gross-out juvenilia and regarding it as raw religious mythmaking.
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