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2009-year-end-review-see-all

Review: Everybody's Fine

It's . . . fine, we guess
By BRETT MICHEL  |  December 9, 2009
2.0 2.0 Stars

 

You'll be forgiven if you mistake Robert De Niro's face for Robert Young's next to Kate Beckinsale's, Drew Barrymore's, and Sam Rockwell's on the poster for Kirk (Waking Ned Devine) Jones's remake of Stanno tutti bene. Arriving almost 20 years after Giuseppe Tornatore's original, it's timed as both a feel-good holiday release and an award-worthy showcase for De Niro, who even has a climactic, clip-ready crying scene.

But though Bobby won't make you forget Marcello Mastroianni's Matteo Scuro, the once-great thespian doesn't coast here in his understated performance as widower Frank Goode, whose moniker indicates the level of subtlety found throughout the rest of the film. Frank's grown children are no Bud and Kitten, and even if this father does know best, he has a lot to learn about his secretive kids as he visits them, one by one, Tokyo Story–style. Yasujiro Ozu's film is a masterpiece. This one? Well . . . it's fine.

Related: What Just Happened, Review: Public Enemies, Review: My Sister's Keeper, More more >
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ARTICLES BY BRETT MICHEL
Share this entry with Delicious
  •   REVIEW: EVERYBODY'S FINE  |  December 09, 2009
    You'll be forgiven if you mistake Robert De Niro's face for Robert Young's next to Kate Beckinsale's, Drew Barrymore's, and Sam Rockwell's on the poster for Kirk ( Waking Ned Devine ) Jones's remake of Stanno tutti bene .
  •   BLU CHRISTMAS . . . WITHOUT DVD  |  December 18, 2009
    Ah, yes: the most wonderful time of the year, tinged with muddy snow and the creeping darkness of our most recent Depression.
  •   REVIEW: THE HOUSE OF THE DEVIL  |  December 02, 2009
    Have you walked near a college campus lately? You might notice that the ’80s are creeping into fashion, the way the ’70s did a few years back, and with the same lack of irony. It’s happening in cinemas, too — something that’s not entirely unwelcome when it comes to the horror genre.
  •   REVIEW: RED CLIFF  |  November 25, 2009
    Hong Kong auteur John Woo hit commercial and artistic pay dirt in the US with Face/Off , his loopy Nicolas Cage/John Travolta neo-noir, but once he’d directed Tom Cruise in Mission: Impossible II , was there anywhere left to go?
  •   INTERVIEW: GABOUREY SIDIBE  |  November 18, 2009
    "While reading the book, I realized that I knew this girl in so many different people. Not just girls but boys, and not just black people but white and Asian and Indian."

 See all articles by: BRETT MICHEL

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