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Tom Stoppard

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Sympathy for the Devil

Stoppard's Rock 'n' Roll at the Huntington; McPherson's The Seafarer at SpeakEasy
Stoppard's Rock 'n' Roll at the Huntington; McPherson's The Seafarer at SpeakEasy
By CAROLYN CLAY  |  November 24, 2008
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New blood

ART and the Huntington (and Boston theater) get a youth transfusion
The famously adventurous American Repertory Theatre is soon to be taken over by a woman who spent her summer directing . . . the vintage Broadway hits Kiss Me, Kate and Hair ?
By CAROLYN CLAY  |  September 10, 2008
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Fall on the boards

From A Chorus Line to Tennessee Williams and the Grinch
There are tours to the former Czechoslovakia, Romania, Italy, Iraq, the Aran Islands, and even the Underworld on area stages this fall.
By CAROLYN CLAY  |  September 11, 2008

Play time

A snappy Inspector Hound
The Barn Summer Playhouse is currently staging a snappy rendition of some of the most original and intellectually entertaining theater in the English language.
By BILL RODRIGUEZ  |  June 24, 2008
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All's fair?

Shakespeare + Company’s The Ladies Man; Gloucester Stage’s Billy Bishop
If Viagra had existed in La Belle Époque, The Ladies Man would be a very short show.
By CAROLYN CLAY  |  June 10, 2008
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The war games

The Huntington’s The Cry of the Reed ; Travesties by the Publick
The Cry of the Reed seems torn from some particularly gruesome headlines: kidnapping, beheading, such stuff as Daniel Pearl’s final dreams were made on.
By CAROLYN CLAY  |  April 15, 2008
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Untrue north

This Compass doesn't point to Pullman
Just as there are many universes in the world of Philip Pullman’s The Golden Compass (published in Great Britain as Northern Lights ), so there are many movies in this New Line adaptation.
By JEFFREY GANTZ  |  December 05, 2007
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Sound Czech

Tom Stoppard fuses the history and the music in Rock ’n’ Roll
Tom Stoppard’s Rock ’n’ Roll begins in 1968 in an English garden, where a piper perched atop an ivied wall is serenading a stretched-out blonde flower child.
By CAROLYN CLAY  |  November 13, 2007
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Bogus Bess

Elizabeth: The Golden Age is leaden
“History,” Winston Churchill told us, “is written by the victors.”
By JEFFREY GANTZ  |  October 10, 2007
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Sea foam

Rough Crossing, plus West Side Story and Herringbone in the Berkshires
In Rough Crossing , British playwright Tom Stoppard demonstrates that even in the manufacture of abject silliness he’s smarter than anyone else.
By CAROLYN CLAY  |  June 27, 2007

Dark laughs

Tom Stoppard ponders this mortal coil
When Tom Stoppard unleashed Rosencrantz and Guildenstern Are Dead on the London stage in 1966, he put the play back into plays.
By BILL RODRIGUEZ  |  February 07, 2007
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Play’s the thing

Mad Horse rouses Stoppard’s finest
On the high-tragedy chessboard of Hamlet , the title characters are pawns, but in Tom Stoppard’s spooky, hilarious, and ingenious Rosencrantz and Guildenstern are Dead , they are, existentially, the stars.
By MEGAN GRUMBLING  |  November 21, 2008
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Meta-farce (Portland theater)

Tom Stoppard plays with the play at Portland Stage Company
The SS Italian Castle is almost absurdly gorgeous. With its sleek and imposing height, its glowing portholes peeking into sumptuous Art Deco cabins, and the huge full moon hanging above its deck, this luxury ocean liner seems over-the-top, too dramatic to be true. And that is exactly as it should be. Caricature is the currency of both setting and sensibility in Tom Stoppard’s comedy Rough Crossing .
By MEGAN GRUMBLING  |  February 01, 2006

Back to life

Theater stirs in the new year
Well, it was a close call, but now that we’ve crossed the Stygian flood of Christmas Carols and other holiday fiascos, we can get back to the business of theater that might occasionally surprise, scandalize, and even keep us breathing.
By Megan Grumbling  |  December 28, 2005

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