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Susan Stroman

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To the Max

The Producers at Theatre by the Sea
The show’s success has to do with more than the Mel Brooks classic being a familiar crowd pleaser.
By BILL RODRIGUEZ  |  August 13, 2008
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Trying to fail

MSMT finds a hit in a flop
Brooks draws absurdities of both the theater and New York City with both mischief and affection, and MSMT’s production is impishly, lovingly true to that spirit.
By MEGAN GRUMBLING  |  July 09, 2008
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North Shore's snazzy revival of contact

Plus, Gurnet’s Essential Self-Defense
For a Broadway show, contact is closer to Twyla Tharp than George M. Cohan.
By CAROLYN CLAY  |  June 17, 2008
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Measure for measure

Ensemble Doulce Mémoire, Matthew Bourne’s Swan Lake , Robert Spano’s Sibelius , H&H’s St. Matthew Passion
“Great Ball at the Court of France,” which Ensemble Doulce Mémoire presented at the First Congregational Church in Cambridge last Friday, under the auspices of the Boston Early Music Festival, was a reminder that classical music used to be all about two popular forms, song and dance.
By JEFFREY GANTZ  |  April 26, 2006

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