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Political Andy?

Warhol's court-painter years; plus doodling at the Rose
Was Andy Warhol more politically engaged than he's given credit for?
By GREG COOK  |  November 06, 2008
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Afterglow

Rachel Whiteread’s dollhouse village at the MFA, Erwin Redl’s red-light district at Emerson
The installation is a bit of a shift for Whiteread, who’s best known for making plaster, rubber, resin, or concrete casts of old used mattresses, a staircase, the entire interior of rooms.  
By GREG COOK  |  October 27, 2008
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Booked solid

A week of deconstruction, dubstep, and drones

By SUSANNA BOLLE  |  October 03, 2008
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Dollhouses and dream states

Memory, sound, time, and toothpicks define the season
Autumn highlights in the museums and the galleries.
By RANDI HOPKINS  |  September 11, 2008
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Peabody rising

Bold leadership and an ambitious curatorial vision have vaulted the Peabody Essex Museum into a spot among the country’s best
Could the Peabody Essex Museum be the Boston area’s most exciting art museum right now?
By GREG COOK  |  July 23, 2008
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The folk and the fine

‘Keepers of Tradition’ and Alexis Rockman
Here in Massachusetts, our old ways tend to reside in ethnic islands and pockets. They may be famous on their street or in their neighborhood or town, but they’re often unheard of outside it.
By GREG COOK  |  June 16, 2008
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Naughty by nature

Spring Arts Preview: Landscape, road trips, weddings, and Spain
Landscape has inspired artists as varied as the romantic 19th-century Hudson River School painters and the macho 20th-century Earth Artists.
By RANDI HOPKINS  |  March 10, 2008
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Re-creational vehicle

‘Broken Home: 1997/2007,’ ‘Empires and Environments,’ and ‘Arp to Reinhardt’ at the Rose, ‘Selections ’08’ at Mass Art, and Liz Linder at Space 242
Gallery exhibitions organized by high-profile outside curators have become an art-season staple.
By RANDI HOPKINS  |  January 14, 2008
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Tempo tantrum

Artists mess with time, re-enact art history, and hop up on stage in ’08
In 2008, the fourth dimension, time, steps to the fore in the art world.
By RANDI HOPKINS  |  December 26, 2007
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Promise deferred

The new ICA’s visual arts at one year
Last December 10, the Institute of Contemporary Art moved to brand new digs on the South Boston waterfront, tripling its exhibition space in the process.
By GREG COOK  |  December 09, 2007
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Following the evidence

‘CSI’ at the Museum of Science, plus Tom Sachs at Brandeis
“CSI: The Experience,” like a B-movie, is best if you don’t think too hard about it.
By GREG COOK  |  December 09, 2007
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New new things

“Design Life Now” at the ICA, Tom Sachs, Steve Miller, and “Women Artists of India” at Brandeis
Robolobster, an underwater crustacean with eight plastic legs and an industrial-strength plastic shell, is a groundbreaking example of the new science of biomimicry.
By RANDI HOPKINS  |  September 18, 2007
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Turn on the bright lights

Art, women, politics, and food
Art this fall grapples with issues like gender and journalism, personal space and human survival, and what to have for lunch.
By RANDI HOPKINS  |  September 12, 2007
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Going deep

One-person shows dominate, Cyberarts proliferate, and a few artists collaborate
A gaggle of big solo shows share the art waves with that powerful influx of computer-reliant art known as the Boston Cyberarts Festival this season.
By RANDI HOPKINS  |  March 13, 2007
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Beautiful disaster

Edward Burtynsky at Tufts, Kara Walker at the Addison, and ‘Works from the Permanent Collection’ at the Rose
What we think of as “progress” — urban development, industrialization — has been proceeding at a rapid rate in China over the past decade, with significant environmental and human consequences.
By RANDI HOPKINS  |  January 17, 2007
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Return to the edge of the world

The year ahead in art
Photography and new media loom large on the horizon in 2007, with cameras pointed in every direction.
By RANDI HOPKINS  |  December 27, 2006
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Bodies and souls

A year in art
Preserved flayed corpses at the Museum of Science, Americans in Paris at the Museum of Fine Arts, underground art at the Rhode Island School of Design Museum, beavers at Mass College of Art — it was that kind of year, capped off by the arrival of the new Institute of Contemporary Art.
By JEFFREY GANTZ  |  December 19, 2006
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The joy of looking

Surveillance and power at the Rose
In the hurried world of print journalism, little time goes by between seeing an exhibit and writing about it.
By CHRISTOPHER MILLIS  |  November 15, 2006
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Hand made

Loïs Mailou Jones and Clare Rojas
Eight years after Loïs Mailou Jones’s death, School of the Museum of Fine Arts curator Joanna Soltan is proclaiming her to be “among the most significant African-American artists of the 20th century.”
By GREG COOK  |  October 04, 2006
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Fight the power

Artists protest war, scrutinize surveillance, explore usefulness, and embrace couture  
Art mixes it up with history and politics, peers closely at electronic surveillance, worries about its own usefulness, traipses down the fashion runway, and brings cool stuff back from China and Puerto Rico in exhibitions opening this fall.
By RANDI HOPKINS  |  September 13, 2006

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