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Richard Serra

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Richard Serra: Thinking on Your Feet

A smart, attentive documentary
Tappeiner smartly demonstrates how Serra turns the experience of the viewers into his subject matter.  
By MICHAEL BRODEUR  |  November 04, 2008
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It’s about time . . .

The Ditson Festival of Contemporary Music starts in Boston
It’s been 17 years since Boston’s last local festival of contemporary music, the New Music Harvest organized by composer Charles Fussell: 19 programs (several free), a celebration of composer Ned Rorem, an opera production performed by BU students, and the participation of the Boston Symphony Orchestra.
By LLOYD SCHWARTZ  |  September 25, 2008
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Cape light

‘Light And Artifice’ at The Schoolhouse Gallery; ‘What Is Big?’ at Brickbottom; ‘Birds Do It’ at Montserrat
Pinpricks and irregular streaks of light illuminate a circular orb that might be the moon, or a partly peeled orange in each of Judith Larsen’s series of photographic works called “Phasing and Solon."
By RANDI HOPKINS  |  July 02, 2008
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Not a girl who misses much

Sound and video at MIT, “Eyewitness” at Axiom, Carolee Schneemann at Pierre Menard, and Kaspar König at the Sackler
Sound is all around: pop music acts as a hair trigger for memory.
By RANDI HOPKINS  |  October 01, 2007
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Sticking it to the man

Five centuries of protest art at Harvard
In 1969, Harvard University students rallied to support the creation of a black-studies program and protest the Vietnam War, the presence of ROTC on campus, and the university’s expansion into surrounding communities.
By BY GREG COOK  |  January 02, 2007
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Say it loud

‘Dissent!’ at Harvard, ‘Media Machines’ at Tufts, ‘Fashion Show’ at the MFA, and Michael Smith at MIT
Unrest is in the crisp fall air as Election Day 2006 rolls around, and examples of artists who are mad as hell and not going to take it anymore abound.
By RANDI HOPKINS  |  October 31, 2006
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Fight the power

Artists protest war, scrutinize surveillance, explore usefulness, and embrace couture  
Art mixes it up with history and politics, peers closely at electronic surveillance, worries about its own usefulness, traipses down the fashion runway, and brings cool stuff back from China and Puerto Rico in exhibitions opening this fall.
By RANDI HOPKINS  |  September 13, 2006

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